Tuesday, February 24, 2026

Bea Troxel, Proclivity




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Proclivity

Bea Troxel

A few years ago I taped a blue post-it note over my desk. It read: Proclivity: a tendency to choose or do something regularly; an inclination or predisposition toward a particular thing. When I first put it on the wall, I had tacked it there with washi tape, fresh and clean, clustered around notes from friends, photographs from childhood, a found black and white photo of a man sliding headfirst down a waterslide in a tiny speedo. There’s a note from my friend Megan that says, “silly is the holiest of all states.” I had it there for four years—the same blue note on the same blue wall. By the end, it hovered tapeless, almost falling, dust collecting along the top of it. 

When read without context, the definition of proclivity seems ordinary enough. It is synonymous with a habit or pattern, and yet proclivity often sounds more sinister than that. This pattern is dangerous! This decision you are making over and over again may not be good for you! it seems to say. Usually, the word is used in the context of more harmful habits of the mind and body, and it is usually used about people rather than by people. If you search for it on The Atlantic’s website, you will find it in reference to people with a proclivity for dressing up in Nazi uniforms, Lindsey Lohan’s proclivity towards trouble, or even the British newspapers’ proclivity toward phone hacking. There’s always a hint of obsession, not rightness to the word. 

A proclivity hinges upon who uses the word. A proclivity to one person will be a mere preference to another. A routine to one person is a constriction to another. Love to one person is a sin to another. 

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In August of 2018, I started a job at my alma mater, Christ Presbyterian Academy (CPA), as a long-term sub for the high school librarian. I understood this school on a deep level. In high school I had messy brown hair that I wore with a side-part so far that my long hair looked like bangs pressed over my forehead. I wanted to look like the indie musicians I saw walking around Nashville. We wore uniforms: purple plaid skirts with white oxford button-downs tucked into our skirts. The dress code stated that we needed to wear leather loafers, and I spent most of my freshman year strolling down the hallway in fabric Toms, getting in trouble, and finally buying ratty leather loafers at the goodwill to appease our administrator. I loathed the rules that didn’t make sense to me. During lunch I escaped to the tiny chapel with a piano where I’d sit and play music with a friend. Or during my senior year, I ate every lunch with either my senior literature teacher or college counselor. 

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I gently pushed back against the rules: I’d sit and read during chapel if I disagreed with the speaker or wrote letters during our senior year bible class because the teacher bored me. The administrators and some of the teachers bothered me with their strict rules, but there were a handful of teachers who thought critically about the world, wanted to sit and ask big questions with me. Maria was my senior English teacher, from whom I took two literature classes at the same time, analyzed films, created photo essays, and compared songs to the novels we were reading. Her brain seemed expansive, and she was much more interested in asking how what we were reading connected to the broader world rather than asking how it connected to the Bible. And then there was my college counselor, Catherine. I’d sit in her office, talking to her husband on the phone or learning to crochet. I had a special jar of trail mix in her office so that I didn’t keep eating her starbursts. One day I got so comfortable as to lob a sugar cube into her office, but it somehow went past her glasses and hit her in the eye. She kicked me out of the room and made me talk to her husband on the phone. He said, “Bea, she’ll cool down eventually. Just give her a minute.” 

Finally there was Ben, my Latin teacher who lent me books to read: The No. 1 Ladies Detective Agency, French dictionaries, and The Hunchback of Notre Dame. He’d ask me about what music I listened to. In college, when I studied abroad, he mailed me a copy of Isaak Dinesen’s short stories, and when I went back to visit him he’d ask about my dating life and say, “Oh, Bea, I’m so excited for you to meet someone who makes you more Bea.” We kept in touch until he passed away from cancer in 2016.

When I look back, I see that I was far more beloved than I ever thought. I was voted best all around by my classmates, elected the senior chaplain, organizing our chapel speakers throughout the year. I brought in a speaker who pushed back on our very white, very privileged version of Christianity at the school. He talked about faith as a beautiful choice towards nuance, a way of working towards good in the world rather than a set of rules to stick to. He did not view the world as an enemy, as CPA often did. But in that same semester I brought in a speaker who spoke against same-sex attraction and a speaker who talked to the girls about the dangers of STI’s as a way to spook us into chastity. While I have changed and outgrown a lot of my beliefs since graduating, during my time at CPA I wanted to believe in God, wanted to walk in faith, even if I was often full of doubt. That meant I inflicted harms of my own, bringing in speakers I would later disagree with, not seeing my own privilege in the world.

CPA is a part of the Presbyterian Church of America, founded in December 1973. It split from the other branch of the Presbyterian Church based on the beliefs that women cannot lead in the church and that the scriptures are fixed and immutable. This just means that only men can become pastors or leaders in the church and that this interpretation of scripture (as interpreted by the men in leadership) is set in stone. The Bible must be read literally in this tradition, and this also means that they do not affirm anyone in the LGBTQ+ community as a leader in their church. Most recently in December 2021, they decided that even celibate gay men cannot lead because they are still following a pattern of proclivity to sin.

When I moved back to Nashville a few years after college, Maria asked to mentor me as a teacher. I did not hesitate. She taught me to love literature, to see through symbols and archetypes, to unpack the world around me. She helped me start to believe that my brain’s way of understanding the world was worth sharing. So I returned to the same school in a new building. The tiny red bricks had been painted white and turned into a middle school. The new high school building was large and covered in glass. For a semester we taught Oedipus and The Things They Carried together, and towards the end of the semester the position for the high school librarian popped up. She convinced me to take it, telling me that we could continue to collaborate all the time.

A year before my decision to take the librarian position, I had discovered my own queerness. Because of my internalized homophobia, I had no inkling about this part of myself until I fell into it. I met a playwright while living in Harrisburg, PA. The first time we hung out, she told me she thought we were on a date, but when she saw the shock on my face after she mentioned she was gay, she realized that there was no date. I kept finding myself wanting to spend hours with her in restaurants, write her long, endless emails. A few months later I said, “I think that I maybe, just might have a crush on you.” This was the staggered and messy beginning of our relationship and of my own queerness. We broke up a few months later when I moved back to Nashville; I returned single and confused and searching.

Because I was shedding the layers of my own internalized homophobia, I still spent time in spaces that did not support my sexuality, and I preferred the familiarity of these older spaces, ones where I had previously felt known. Since the job would only be for a semester, I felt that I might not be dating for the duration of the job, and therefore I would not have to contend with that aspect of my identity in terms of the school (How little I knew of how much we unknowingly embody). So I took the job: four months at CPA as a librarian. 

But of course, in the two weeks leading up to the job, I met someone. Cyd was a writer with a sharp sense of humor: charismatic and intense. And when I first saw her home, it was full of soft lights and plants and photographs pasted to the wall, a gentleness not evident upon first meeting her. We started dating, and I went into this job with more to hide than I had planned. 

Here is what I will tell you about the students: they were special. I had a group of ninth-grade girls who would stand around my desk and gossip and chat before school started. One of them would ask for book recommendations and then never read them. They left me notes “ms. b is the bae.” Some would recommend songs. One student would sit and play Billie Eilish covers with me after school while the other students quietly did work in the library. I once watched a freshman boy run around the library dancing to Shakira when only one other student was in the room, glancing at me every few seconds as if challenging me to stop this wild behavior. But I never did. Needless to say, I loved these kids. They were silly and smart and goofy and shy. I posted a new poem each week on my desk, which only one student ever read. I ordered covertly secular novels into the library and I snuck out two titles (Recovering Biblical Manhood and Womanhood and I Kissed Dating Goodbye). There were a handful of students who would walk into the room and say things such as, “I don't think there’s anything wrong with being gay,” or “My friend is gay and I don’t think that’s a problem,” while walking past my desk. They must have had some sense that I was queer.

Every Friday during lunch the female faculty converted the library into a Bible study room. Bibles and notebooks fluttered throughout the room as women chatted and discussed the radical role of women in the Bible. During those lunches, I would develop these intense headaches. Old thoughts that I used to have in high school began to pop up, ones in which I would doubt my view of the world because I thought I should feel God’s presence. The way they talked about God at CPA made me think that if I just lived a little purer, if I just tried a little bit harder, then I might feel God’s presence. I spent so much time in high school not feeling connected to God or the Bible, and so I had learned to trust others’ perceptions over my own. 

When you learn to trust others over yourself from a young age, it takes a long time to learn what your own thoughts are. I found this sensation returning when I became a teacher at CPA; I found myself looking to others for what to do and what to believe. It happened when the Bible teacher would come up to my desk, ask where I went to church, and then when he heard I was Anglican, he’d invite me to his Baptist church. Once a week he’d let me know what time his service started on Sundays. It took all of my people-pleasing body to politely say that I’d think about it (which meant no) and not fear that he had some divine knowledge that I did not. It happened when teachers spoke to me of their fears for the students going into the real world. It happened whenever we had our weekly chapels, filing into the giant sanctuary with dim lighting and a conservative speaker. The worldview that the school held created a space where I doubted myself because I never felt that connection to God or that understanding of divinity that everyone else talked about. Rather than trusting that absence, I doubted it. 

Even though the whole issue of religion and life is filled with subtlety, I do not want spiritual abuse to go unnoticed here. My friend, an old mentor and local activist, David Dark, also worked at CPA when I was still in high school there. He now writes often of the topic often, and he says this: 

I think plain old abuse becomes spiritual abuse the moment I speak or act as if I’m an authority in someone else’s experience. It’s subtle but sometimes not at all subtle. It’s a refusal to honor another person’s boundaries because I believe (or wish to imply) that I’m closer to God or more intimately familiar with God’s purposes than someone else. 

My mom often told me that I seemed to have more of a connection with God than anyone she knew. I always protested because I felt so much doubt, but I still did not want to let down the people in my life who saw something bigger than me. I think she implied I had a connection to the sacred things in the world, but this was again a moment of seeing something in me that I could not understand for myself. Others seeing God in me where I did not continued to separate me from my body, my perception of self, and I longed for praise from others about virtues I felt I could not control. 

While I was working at CPA, during walks with my girlfriend, Cyd, through my neighborhood, I would get nervous about students seeing us and outing me to the school. In my first week as librarian I went to a show with her at a small venue in town. We were holding hands in the back, pressed up against each other, while we listened to a blonde-haired Nashville musician. The next day at school one of the literature teachers came into the library. He was known for teaching the AP language class with a strong social justice lens. But he walked in and said, “Hey, I saw you at the show last night.” We both paused and looked at each other, a flicker of fear ran through me, and then he said, “I’m so glad you are here.” I looked at him, paused, and then he left the library. I felt comforted, seen. What I thought he meant and what he later confirmed was that he was glad someone like me, someone queer, was in a place like this, a PCA school. Within the school, I had support: a handful of teachers I could talk to, who affirmed me, who met my partner. This was the secret web of love and support that I found at the school. 

In October, the principal of the high school, a salt and pepper Princeton graduate, came up to me and asked whether I would be interested in teaching Latin the next semester. I showed some hesitation and he responded, “Just think about it.” I told him I would, but I felt quite certain that I needed to leave the school at the end of the semester. Then the next day he sidled up to me and scribbled some numbers onto a post-it. He slid it to me across the desk with the pay of what I would make if I started teaching written on it. It was at least twice as much as I was making then. In spite of the headaches, I loved the school—with all of its flaws. I loved my students. I loved my coworkers. I loved being a part of that place. I was curious about that job, and I felt that the next step for me was to see whether I could work here while visibly being queer. And that meant talking to the administration.

My high school principal, Nate, had become the head of school during my years away. I babysat his children while in high school. A friend and I went to his office our junior year to propose our plan for creating a schoolwide composting system. We were quickly shot down. And when we graduated, it was a year of the cicada infestation, so as each of us crossed the stage and shook his hand, every student handed Nate a dead cicada husk. He had to keep discretely putting them in his pockets and onto the podium. He was young when he started the job, twenty-seven. And when he started the job, all of the upper-classmen and moms talked about how hot he was. My teaching mentor, Maria, told me that she would go to the meeting with me; so on a cold, autumn day, we walked together to the school offices. 

Before the meeting I thought a lot about whether I was going to his office to see if my presence at CPA could be possible in a way that supported me or whether I was asking for permission to exist as a queer person. One of the other literature teachers, a short and fiery woman, told me that I did not need to tell them—they never asked anyone else who they were dating. But as she spit these words out, in a vengeance not for me but at the school, I felt deeply that I needed to know with clarity and certainty whether this space could hold me as I was. It was not about asking them whether I could stay, but pushing them to a direct honesty. 

As I have talked about this situation with many people over the years, the definition of safety has come up and what that means. Within this context, I mean emotionally safe, which means affirmed or welcomed. I mean that I can be in a space where I do not need to fear that people are convincing me my way of life is sinful. I mean being in a place where my perspective of myself and life is not questioned by those around me. It means being in a place where no one can make snide comments about being gay. There was always the possibility of emotional harm at CPA. 

So much can get veiled in sweet kindnesses. Even now when I walk into CPA, everyone is nice, everyone is kind, everyone would say they love me to my face. And yet, I wanted to push past all of that. I wanted to know how a school reacts to someone they love—and reader, I was loved—when their beliefs no longer aligned. I had lived too long in this strange in-between. 

In order to get to the administrative section of CPA, Maria and I had to leave the high school, walk along the stark white bricks of the breezeway, and enter the elementary school through heavy double doors. The admin offices were painted that HGTV gray color flanked by black vases holding fake white flowers. We sat on a stiff couch until Nate brought us in. 

“I see you’ve brought in the big guns,” Nate said, gesturing to Maria. He did not know the purpose of the meeting. “So what brings you here?” He asked. I paused, feeling a little nervous. 

“Parker has offered me another position for the spring as a Latin teacher,” I paused. “I’m interested in it, but… I’m queer, and I have a girlfriend, and I want to know whether I’d be supported.” I said slowly with sweaty palms and face turning red. I still couldn’t say queer without it sounding like a confession. I continued, “I love working here, but in order to stay, I need to know if I’d be safe.” 

“Okay, I have a question. But,” he paused. “Well, first of all, I just want you to know that I love you, care for you, and accept you,” he said in a deep, kind voice. I started crying. And then he continued, “When I was growing up, queer was a slur. I just want to get it straight what you mean when you say that, because I feel like I’m not supposed to use that word.” The room was so dark, just one lamp lit up the charcoal gray walls. I explained that for me it was a freedom, a way to describe my sexuality in a way that allowed me to explore. For me, homosexual and gay and lesbian all had a strange connotation because those were the words churches had used when discussing the sinfulness of homosexuality, but they also seemed very narrow in their labels. 

I grabbed tissue from the box on the table and wiped my nose. I had started crying while he said he loved me, and I had continued crying as he talked about his experience with the word queer. “What’s making you cry right now?” he asked me. I whimpered that this just felt very emotional to talk about.

He nodded and then seemed to turn to syrup on a pancake, wandering each path, spreading out over the situation, smothering the conversation, unable to find any sort of path or line. He first thought maybe I could stay short term, for a semester, if I was not dating. After wandering through many scenarios of how I could stay at the school, he finally decided he would need to talk to the pastor of the school’s connecting church—and he thought I probably would not be able to stay. He talked about how someone with my “proclivities” could work there, but only someone who was celibate. I sat, quiet, listening, nodding, walking through each scenario with Nate. My memory is hazy on what he said and what I asked. I do remember asking him what the school would do if a student came out. They didn’t have the luxury of leaving, and I wanted to know how that kid might be supported. He said they’d most likely suggest that the school was not a good place for them. 

After the meeting I went back to the library and found an email from my students. They had been waiting for me in the library because they needed a book, but instead they decided to steal it and would check it out the next day. I felt sad to have missed them after school.

The next day I walked into the library, and a group of girls said they would physically die if I left school in the spring. 

Two weeks went by after the meeting—they felt excruciating because it seemed as though the students increased their kindness, their compliments, their weirdness. More of them kept asking me how long I’d be at the school, if I was coming back the next year. They would whine at my desk saying that I was not allowed to leave. It felt painful to imagine losing that community of students. Finally a little email showed up in my inbox. Nate had heard from the pastor and could meet with Maria and me.

On the morning that Nate came back to tell me about what the pastor said, my girlfriend left a bouquet of flowers on the windshield of my car with a note. The note read, “Do not forget that you are enough. Sending tenderness and love your way, feeling very confident that whatever the outcome, you will thrive. Yours, C.”

In our second meeting the tone shifted. The looseness and wandering that Nate had in the first meeting, his desire for me to stay and feel welcomed and try to make it work, clicked into a sterile clarity. In this second meeting he used very specific language, and he mainly centered it around the school contract. He said that by signing the contract I was stating that I lived in accordance with the principles of the PCA, which defines marriage as taking place between a man and a woman. It would be dishonest, and he could not ask me to sign the contract in good faith. The conversation felt less painful in the moment because it felt less personal. As Maria and I left she said, “They’re making a huge mistake.” We walked into the dimming light of sunset, the air growing cold and the sky darkening. 

I went home and cried—had dinner with my mom, talked to Cyd briefly, sat at home as my roommate brought me tea and ice cream. I took an Adrienne Rich poem Sophia sent me and glued it to a piece of paper, decorating it with ginkgo leaves and mod podge: “Your silence today is a pond where drowned things live/I want to see raised dripping and brought into the sun.” I began to see there were layers of grief to this decision. There was the initial grief of hearing I could not work at CPA. I could not work in this place where I grew up, had my prom, ran around singing Coldplay during cross country at the top of my lungs. But even more so was the loss of all the specific people I loved there: Maria, the gaggle of ninth grade girls, my former college counselor. It felt as if I lost swathes of color in my life. And ultimately, there was the structural loss. I had learned, finally, that this religious community could no longer be a space for me to belong.

Even though it would seem easy to leave a place that does not affirm you, it’s not. Because life is composed of fragments, and communities are made of people, various shades of people, and even if the whole of this community hurt me, there were parts that made me feel alive, more myself. And it felt painful to let go because I was not just letting go of hurt. I was letting go of walking into Maria’s classroom every day to talk about the book I just ordered or to ask a question about her unit on Impressionism. I was letting go of talking to my old college counselor in the hallways, letting go of the candy jar in her office and her crass, blunt speaking. I was letting go of my advisory playing bananagrams during lunch, the three nerdy boys playing chess for hours in the library, the girls spilling tea at my desk each morning. When we leave a place, there is loss, no matter the gain. And I think this is why it has been so hard to leave all of these spaces where I no longer belong. Because I am not just leaving the pain, I am leaving deep love, the molds that formed me. But as I find bigger molds, new places to form myself, new places to receive help from others, I am knit in new ways. 

At the school where I currently teach, my students are every shade of gay you could imagine. If they’re not gay, they’re bending some norm. I work with people who never assume gender. My students wear rainbow hats, and I give thanks that I get to love these people, and that I can be loved by them. 

Why did I choose love in a place that chose to see proclivity? Why did I want to remember it? I have long since taken down the post-it, shoved it away in a little box. Now I have notes from my current students, notes about what seeing an openly queer teacher and musician means to them. 

In writing this, I am confronted with twin truths: the truth that this sort of discrimination by an institution is cruel, painful, and privileged, and also the truth that I put myself in that school. I stayed when I could have left, and sometimes we must grieve what we’ve done to our bodies while knowing that it’s not all our fault. The space where I am othered and not affirmed is not a space where I want to be; and my heart does hurt for all of the students who are there without a choice, who must go there as minors without autonomy. I hurt for the students who are trans and hiding, who are queer and hiding, who are queer and cannot hide, whose identity is writ across them, who witness a slow erasure every single day. 

I recently received a letter from a camper I taught in the summer before I worked at CPA, before any of this rejection. I was only six months into my queer self-knowledge, and I worked at an Alaskan arts camp. I played one of my songs at the talent show. The whole summer was wonderful and beautiful, and I felt blessed and affirmed by the students I taught there. This student, Max, told me in the letter that I gave them an example of what an outwardly queer adult could do as an artist. And this gives me hope—even before my time at CPA I was living a truth. We can almost never live all of the truths at once, but we can live some of the truth, and I was lucky enough to send one quiet courage to another person who needed it. 


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Monday, December 1, 2025

A Tale of Ordinary Madness by Joseph Carl

 A Tale of Ordinary Madness

Joseph Carl

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It would have been here in Tucson and it would have been sometime between the summers of 2016 and 2017—whenever I try and remember exactly when, I seem to remember things in a fainter and even fainter haze. I do remember some things, however.
     I remember it was sometime then because I know for a fact my interest in writing really peaked soon after graduation. I remember it was inside of a Bookman’s, my favorite Bookman’s, in fact. It was located at the southeast corner of Grant and Campbell—now, there’s a Starbuck’s with a large, albeit magnificent, mural depicting several giant blue whales flying over a picturesque desert. Our desert, presumably. I remember how, years later, I was sitting across the street inside Upper Crust nurturing myself and my giant slice of pepperoni pizza as I watched a wrecking crew tear down the last bit of one of my favorite places on earth.
     As soon as I saw it, I knew I’d be leaving with it. It was a hardcover copy of The Pleasures of the Damned by Charles Bukowski. I still don’t remember exactly why, truth be told. Something about a documentary about Bukowski I had recently had the opportunity to watch. I don’t remember what the documentary was called but I remember watching it with my ex-girlfriend’s uncle. Maybe it was his own admiration of Bukowski, how he said something to the effect of he was way ahead of his time, or maybe it was Bukowski’s own words, spoken delicately and in his own time, as he so often did, but I was moved in such a way that I never wished to look back. I suppose I still don’t.
     When I try to recount those days all I can remember is how visceral it all felt. With every new poem read, each new letter to an editor digested and learned from, I felt as if I was in these poems. Like I could’ve written them and like I still might be able to.
     “So you want to be a writer?” is still one of my favorite pieces of his. It’s located in his book Sifting Through the Madness for the Word, the Line, the Way. It begins, “if it doesn’t come bursting out of you, in spite of everything, don’t do it,” and ends with, “when it is truly time, and if you have been chosen, it will do it by itself and it will keep on doing it until you die or it dies in you. there is no other way. and there never was.” It’s a poem I still come back to in the quiet of my mind. It still floods my every thought whenever I struggle to find the words of a new piece.
     I recall, quite vividly, how his writings evoked something within me that made me suddenly feel like I could write too. I remember inhaling both carefully and precisely compiled works of his as well as posthumously hand-picked collections. I remember how I spent so many afternoons and nights attempting to write in the vein of the late and great Bukowski and how so often it merely resulted in pretty shitty, untrue poems and half-finished short stories, all of which I still have and reread from time to time. I remember how reading Bukowski opened me up into reading other things. Things like King’s On Writing and Neil Gaiman’s American Gods. Writers like Ray Bradbury and Philip K. Dick. I was swiftly pulled into the vast world of poetry, prose, and fictional truths.
     I remember the loud clack, clack, clacking of my IBM Selectric II Self-Correcting Typewriter as I attempted ever so deliberately to slouch toward Nirvana as he once did. I remember how I sounded like him. And how I didn’t. I remember how I began seeing the distinction between our personalities even though I tried for so many years to pretend I couldn’t tell—how alike I’d desperately hoped we were. How much of it I’d forced. I remember buying my first bottle of whiskey to keep under my desk for whenever I needed some “inspiration.” I definitely remember how I began realizing just how problematic he can be at times and how I’d often heard the words misogynist and sexist used to describe him. I remember realizing that I needed to find my own voice if I was going to get any better and how freeing that was in so many ways.
     I still read Bukowski. As often as I can I’m always sure to check out the B section in poetry whenever I’m inside a bookstore and I see if there is anything I don’t already own. I still read him despite the many valid critiques against him and despite many of the things he so clearly believed in his lifetime. I still find much of his writings extremely funny and relatable, at the very least provocative, which is a line Bukowski used to dance around all too well.
     Now, at least, I seem to have found my own style, my own voice, my own way. That being said, I know I’ve learned and stolen from every single writer I’ve ever read and whose words I’ve ever fallen in love with. I know I take something away from everything I’ve ever bothered reading. I know there are people who have probably taken from me. Yet, what matters is how well you make it through to the other side—how well you walk through the fire as Bukowski once put it. What matters is what happens whenever I decide to sit my ass in that chair, or any chair for that matter, and pour whatever is in my head onto the blank page before me.
     After all, there is no other way.
     And, quite frankly, there never was.


Thursday, November 13, 2025

Anima by Victoria


Anima

My soul won’t stop bleeding. I can’t make it stop. You broke me. And I can’t even bring myself to hate you. It’s not my fault that you’re broken, and I’m not the one that broke you. And yet, I let you break me too. Over and over again. And now I have nothing left. I can’t believe you did this to me. I am trapped here in this canvas prison while you roam free. I feel like I’m the only one who suffers while you let the whole world believe you’re okay. I see how you act now that you are free from the shackles of me. You might have thought I’d never see it, but how could I not, when I am but a reflection of you? Everything in this world is connected, and that includes us, you and I. How many of your wounds will reflect on my own face instead of yours? How many things you thought you got away with will make their way back to me? What I wouldn’t do to undo this foolish thing that you did. This thing that I know you are going to regret. 

I wish we could sever this thing that connects us – and yet, I don’t wish that either. I cling onto it for dear life despite knowing how much it costs me and you, this connection that we have. I know that we are more than just reflections of each other, me and you. I am your soul, and you are lost without me. Please, come back and pull back the curtain. You seem so happy to leave me here in this eternal dark night of the soul you plunged me into. See what you have done. One day you will know. You will never escape it. I am your anima.

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Best,

Victoria


Wednesday, November 5, 2025

Babygirl Guerrero by Katerina Guerrero


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Babygirl Guerrero by Katerina Guerrero


See, I come from days and nights at the restaurant, and I wouldn’t change that for anything. I watched my parents work hard, early morning prep for my father, early wake-ups for my mom, the teacher. I’d go to school with my mom and then run through the park after class to meet my dad at the business. Those are the days I miss. That was my normal. 

As I got older, I started asking more questions about who I really was. I grew up in an immigrant community of mostly Dominicans and Puerto Ricans, but I was Mexican American. So who was I? 

I’d visit my family in Mexico every year. I’d buy my rebozos like my mom told me, remembering how my tía taught me to wrap it around myself. I learned embroidery so I could one day hold tortillas in the cloth I made myself, just like my abuelita. But even with all that, sometimes I still feel stuck. 

My parents called me Babygirl Guerrero. 

But knowing where I come from doesn’t always mean I know where I’m going. I’m learning that identity isn’t a single moment of clarity. It is a lifelong stitching together of memory, tradition, and self-invention. Some days I feel like I’m made of all the pieces I inherited, and other days I feel like I have to reinvent everything from scratch. 

I am the daughter of a teacher and a chef. I am the girl who knew the rhythm of a restaurant before I knew multiplication. I grew up watching my parents cut limes, stack plates, count change, and still somehow smile like they weren’t carrying the weight of an entire dream. I didn’t realize until later how much of my childhood was shaped by figuring things out, not just for the business but for our place in this country. 

When I was younger, I didn’t notice that we were different. I didn’t know that being Mexican American meant sometimes being invisible, sometimes being exoticized, and sometimes being questioned, even by other Latinos. I didn’t understand why my Spanish felt too American in Mexico. I didn’t have the language yet to explain why every time we crossed the border, I felt both home and not home. 

I’ve spent years trying to earn my own belonging. Learning the things my mother’s hands just knew, how to wrap a rebozo tight enough that it feels like armor, how to embroider slowly enough that each stitch becomes a prayer. Holding tortillas in a cloth I made, the same way my abuelita did, trying to feel that same sense of rootedness she carried so easily. But there are days when even tradition feels like something I’m still trying to deserve. 

I was the last grandchild, the surprise baby, the only girl, the one everyone expected softness from but also strength. I was told I was the peacemaker, the one who brings us all together. And sometimes I wonder if that role made me more interpreter than participant, the bridge, the in-between, the one who understands everyone but feels fully understood by no one. 

Still, I carry my family with me in the way I work, in the way I love, in the way I take care of others, even when I forget to take care of myself. I carry the weight and the warmth of being babygirl Guerrero, the one who came last but was expected to hold everything together someday. I carry the restaurant lights, turning on before sunrise. I carry the pride of being from people who built everything from nothing, even if they never called it resilience. To them, it was just life. 

Maybe the feeling of being stuck isn’t failure. Maybe it’s the space before transformation, the place where roots and wings fight for room. Maybe the version of myself that doesn’t have all the answers yet is still worthy, still whole, still in motion. 

Because I’m learning that identity isn’t something you arrive at. It’s something you grow into. It’s the restaurant and the rebozo. The English essays and the Spanish lullabies. The embroidered tortilla cloth and the diploma. The girl who knows how to serve a table and the woman who knows how to serve herself. 

Maybe this is what inheritance really is, not a perfect story but a history that asks you to keep writing. A culture that isn’t frozen in the past but alive in the way I laugh, speak, cook, love, and question everything. A reminder that I don’t have to choose between who I was raised to be and who I am becoming. 

I am not finished. But I am rooted. And that is enough. 

 


Sunday, November 2, 2025

"Scream" by Sarah Arellano

“Scream” by Sarah Arellano

Rated R in 1996 is the original “Scream” movie. My all-time favorite Halloween movie ever. It’s the perfect blend of jump scares, brutal kills, mind games, and that tongue-in-cheek humor that pokes fun at horror characters who never seem to make the smart choice.

I first saw the movie back in high school, and ever since, it’s become my must-watch every October. This year alone, I’ve already watched it five times just in October—tonight being the fifth.  

The movie always starts the same way—with the icon of the entire franchise (besides the actual killer): the girl with the blonde bob.
     A young Drew Barrymore, actually. And every time I watch it, I go through the same  routine of wondering why she looks so familiar before it hits me—oh right, it’s Drew Barrymore. I already knew that. Duh. *hand to the face emoji 

It starts out creepy—obviously, it’s a scary movie, so you’re naturally on edge. But the moment the voice on the phone, who we later find out is Ghostface, switches from playful and flirty to cold and threatening is soooo good.
     And after watching it so many times, I’ve turned it into a little game—trying to figure out which killer is speaking in each scene, knowing there are two behind the mask. . . . . . I’m about 80% sure it's Billy Lumis.  

When Ghostface breaks into the house and starts running around while Barrymore’s character hides, it does two things for the viewer. First, it makes him feel human—he’s not some unstoppable, supernatural force because he can’t find her right away. From that moment, we know he can be defeated. There’s no magic, no ghostly possession—just a good old-fashioned slasher. 

After the opening scene we were introduced to out main character Sidney, and her boyfriend. And honestly, by now you’d think people would learn—if there’s a shocking murders that somehow relates to you even in the slightest bit, it’s probably the boyfriend.  

I mean, the red flags were practically waving in 4K, but sure—classic horror logic.  

Then we get to the school scenes and are introduced to the other yet unreviled, Stu 

Macher and his girlfriend, Sidney’s best friend, Tatum Riley. Who I aspire to be when I grow up (I’m 21). She had this confidence about her that was inspiring to a high school girl trying to figure out her way in life.  

I was so sad when she was killed in the end it felt so wrong, so un deserved, but in reality I know that’s what makes it good. It is just so sad she died.  

The next big scene is Ghostface attacking Sidney at her house, the same scene where its revoked that the killer has something to do with Sidney's mother’s murder, which happened exactly one year before the killings started.  

Again! Looking back, it’s always the boyfriend you know. Even during the fountain scene before this one Stu and Billy are the only one with girl friends while Randy on the other hand, survives and doesn’t have a girlfriend.   

To end the chase scene Billy Loomis appears out of nowhere with a mysterious phone.  

He must be the killer.  

Except his phone records for that phone come back clean. (But we don’t know that for like another 30 minutes)  

Since at this point the main suspect is Billy but at this point there’s only a little over an hour still left of the movie, the killer can’t be caught this early.  

To make the watcher second guess that themselves thinking it's Billy when Sid receives  call from Ghostface at her best friend Tatum’s house and Billy is supposedly locked up for the night,  

The next day at school Billy is released and there, he runs into Sidney, our main character and explains how he’s not even mad.  

He somehow decides to forgive Sidney for accusing him, a major red flag. I’m sorry but if my significant other didn’t trust me to the point of accusing me of being a murderer, I would not go back to them–a relationship is built on trust and all that. Let alone bring up our sex life as a couple to them, because that’s such a big concern (note the sarcasm)  

But also Sidney, girl, you accused this boy (Cause let’s face it he’s technically still in high school no matter how much he does not look like it, (which is a whole other thing about actors not looking like the age of the characters they're playing.)) of murder and attempted murder on you and he immediately forgives you and is more concerned about your. SEX. LIVES. . . . . .  sorry but that’s a no for me.  

Sidney’s mother’s death is a recurring event that is constantly being brought up and referred too. The call Ghostface made to Sidney at Tatum’s house hinted at the wrong person being in prison for her mothers death. This is a problem because Sidney was the one the id’d the her moms murder, and deep down she’s been unsure of her choice the whole time but was too scared and embarrassed to say it could have been someone else.  

Another day at school goes by, Sidney’s the talk of the halls and people are running around with masks. Why? Because they are either a) stupid and unempathetic or b) are scared and are using humor to navigate this uncertain time.  

But the end of the school days brings us some news, a party at Stu Macher's house, to rebel and celebrate the curfew started by the town that night.  

Macher's house is an old modern Victorian style in the middle of nowhere, with no neighbors within ear distance. Perfect place to end a slasher horror film at . . . 

. . .No one can hear them scream  

Once the party starts getting in full swing Stu realises they're running out of beer and sends Tatum into the basement to get some the fridge. In the basement she is cornered by none other than Ghostface.  

Not believing it the actual killer Tatum talks to him like it one of her friends, Randy, who everyone else has been accusing throughout the movies, (they were pushing him so hard to be the villain but honestly I forget about randy most of the time except for his iconic couch scene).  

“Oh you wanna play Psycho killer? Can I be the helpless victim? Okay let's see. . . “ Tatum says before transitioning her voice into a higher pitch trying to sound extra cute and feminine… ”No, please don’t kill me Mr. Ghostface, I want to be in the sequel.”  

Shortly after Tatum realizes it is actually the killer and not Randy, sadly it’s too late and Tatum is killed by a garage door. 

An Icon died in that scene, giving us one of the most iconic lines in killer horror movie culture. 

Due to all the noise from the party, no one hears Tatum die, no one knows the killer is at the party. People even start to leave due to the curfew and still don’t notice Tatum's dead body hanging by the garage door. Those who stay watch a scary movie and learn about the rules of surviving a scary movie.  

Like don’t say “I’ll be right back.” 

Billy showed up to talk to Sidney, they went upstairs to talk and to “talk.”  

Dewey takes Gale Weathers who was there at the party hunting down a story, already having a history with Sidney. They find Sidney’s dad’s car who’s been missing since the first attack at Sidney’s house.  

Skipping back to Sidney and Billy after their done “talking” Billy is attacked by Ghostface, making it impossible for the reader to even think it's still him. The attention is now starting to switch to Stu Macher. 

The Facts:  

  • Cassey the first victim was Stu’s ex-girlfriend, who broke up with him for her current boyfriend.  
  • Stu was not at prison when the killer called Tatum's phone. A number that Stu would know already since he’s dating Tatum.  
  • He throws the party at his house and killer has no problem getting in  
  • He said, “ I’ll be right back,” before most of everyone let to go see the old latest victim.  
  • Meaning he was still in the house when Billy was attackers.  

And if not Billy, and not Randy, It must be Stu.  

Ghostface chases Sidney around the house for a while before she jumps out a window and lands on a seemingly lucky placed boat.   

Gale and Dewey get back to the house, and state trying to call for back not knowing what to expect going into that house.  

Gale finds her camera man dead, calls for help and tries to drive away only to end up in a ditch.  

Sidney finds Dewey. . . . with a knife in his back from the killer.  

Making the only one still left alive her, Randy, and Stu, who conveniently popped up again after attacking his last victim–but wait Billy is also still alive.  

Cause yes after getting stabbed multiple times and being left without medical care means you can still walk and talk like nothing happened. . . . . .NO!!!!! 

Which is why when he gets Sid to open the door she locked out the other two with, and finds only Randy to then shoot him does it become clear that it is not clear how he is still alive.  

Until it is obvious he wasn't actually stabbed and to make even more clear the character explains the blood by talking about its recipe and movie inspiration.  

Wait, but, what about Stu, isn’t he still a killer?  

Weren’t the signs pointing to him?  

Yes, because there were actually 2 killers to the one Ghostface... Stu and Billy.  

With Randy now dead, Dewey with a knife in his back, Gale passed out in a ditch, no one can help Sidney when she’s being cornered by Stu and Billy.  

But we do finally get some answers in Classic bad guy characters: they explain their plan to the protagonist giving enough time to the protagonist to escape and turn around and use their plan against them.  

Stu and Billy killed her mother, their motive:  

  • Her mom was having an affair with Billy's dad and the reason his mom left him.  

  Their plan:  

  • Use Sidney's father (who's been held hostage this whole time) to frame the murders on, his motive would be the anniversary of  his murdered wife setting him off sending him on a killing spree that would kill his daughter and take his own life.  
  • How Billy and Stu were to survive, stab themselves good enough to look convincingly, lucky, victims.  

Why do they get to live? Well, to plan the sequel.  

“There has to be a sequel.” Stu Macher (“Scream”) 

But wait, Gale Weather is still alive and she has a gu oh wait no she doesn’t Billy knocked her out.  

Sidney runs away and hides in the house though, calling to taunt the guys that they’ll never find her. Stu reveals that he’s feeling weak and that Billy might have stabbed him too deep.  

Billy find her, they fight, she fights Stu, drops atv on hippos head., RANDY’S ALIVE!! 

GALE'S AWAKE.  

She shoots Billy!!!  

Billy’s still alive, Yayyyyy (note the sarcasm)  

Sidney, like a boss, takes the gun from Gale and double taps Billy. 

The End.   

Oh Shit, Dewey is also still alive, and being taken away in an ambulance.   

Does it make sense why Dewey lived? No.  

Does it make sense how no one knew Sidney’s dad was there the entire time? No  

Does it make sense how Randy lived after getting shot, hit, and chased? No  

Does it make sense how Sidney kept using her arm like it was fine after getting stabbed in the shoulder? No  

But, was that still one of the best scary movies ever? Yes.  

Billy Lumis, was so meticulous about his plan that he honestly could have pulled it off, but his narcissism to bed in the “movie” is what got him caught. 

I full heartedly believed that he planned to get “caught” by Sidney with the phone after Ghostface attacked her.  

I also full heartedly believe that that is the moment he got himself caught.  

While the plan was to make his name clear to police so after the situation he would still look innocent, was smart, it also just caused too much unease and mistrust between him and Sidney; and they never recovered.  

In the end, “Scream” isn’t just a scary movie—it’s the one that changed what scary movies could be. It’s clever without trying too hard, edgy without losing its sense of going too far, and even after all these years, it still hits just as hard. The characters are messy, the choices are questionable, all around, but that’s what makes it feel real. It’s the kind of movie that sticks with you long after the credits roll. It’s iconic, chaotic, and honestly? Still undefeated in the slasher genre, in my opinion.  

And it will continue to be my most watched movie of October every year!!!


Monday, October 20, 2025

Pretty Little Brain by Noah Bracale



Pretty Little Brain

*

Noah Bracale

*

Sertraline, Melatonin, Magnesium supplements, amphetamine-dextroamphetamine, Priadel, aripiprazole, Buspirone, Bupropion, Hydroxyzine pamoate, Escitalopram, Mirtazapine, Venlafaxine, Fluoxetine, Paroxetine, Lorazepam, Trazodone 

My bedsheets smell like tequila, and I’m wrapped around myself. Wallet, phone, keys, cigarettes, lighter shoved under my pillow. There’s blood too—on my bedsheets. Blotted in the same pattern that is carved across my back.

I’ve been given this pretty little brain, and I am determined to live through it.  

Psycho-therapy, Al-anon meetings, EMDR, TRE, DBT, CBT, Puppets? At one point? Sandboxes, 72 hour mandatory stay. It costs $50,000 to go to a ranch and pet a horse, and I wish I had the money to go to it and fix me. I’m not sure it even would.  

I was eight years old when I first remember hurting myself. Truly hurting myself.  

I tried to break my own hand. I took one of my father’s ten pound weights and slammed it over my left hand over 400 times. I only know this number because I counted. I was punishing myself for something, the same thing I still punish myself now for—and it is completely elusive to me.  

Vodka, Tequila, Green apple Tennessee Whiskey, Weed, Molly, Mushrooms, LSD, Xanax, Cocaine (once on my gums), Adderall crushed and snorted in a hotel bathroom, Black Marlboro shorts (Cowboy killers,) All of them—mixed together.  

I came up with shorthands, comical ones: ones that let my buddies know that something was going wrong. I’d bray like a donkey when my brain began to get loud—when I couldn’t find the words to say “I’m seeing that memory again.” “My hands have gone numb.” “I’m stuck in a loop—I can’t find my way out.”  

They all reacted different. Aidan was the first to hear it. Diego knew my pride—how to distract me, to ground me, to ease me back to earth without doubling my shame. Dom would ask before he held me, and then he’d hold me. Alaska knew instinctively to check what was wrong.  

Diego, Aidan, Dom, Alaska. 

There’s this story I tell sometimes, almost like an apology—or some kind of explanation to my friends and lovers who had stayed up with me through all of the nights I cannot sleep. 

Awoken from nightmares, tortured by thought. The nights that my safety plan deems a babysitter necessary. They’d sit with me, and I’d tell them: 

“Sometimes, I think, before I came here, I had a conversation with God. And he told me that he’d make a deal with me. He told me that I would come back, and I was going to suffer, really suffer. But all of that suffering was going to be worth it because I would get ‘this’ in return.”  

I’m sure I said to them, “Maybe it’s you. He told me that there would be rape, and torture, and pain. But at the end of it, there would be you. You are God's apology to me.”  

General Anxiety Disorder, Major Depressive Disorder, Panic Disorder, Agoraphobia, Complex 

Post Traumatic Stress Disorder, Obsessive Compulsive Disorder, Dissociative Identity Disorder, 

Substance Abuse Disorder, Bipolar Depressive, Borderline Personality Disorder  

Treatment Resistant.  

I was told that, 

‘Whatever you have—it may be time to consider that it is treatment resistant.’ That maybe there would be no stop to it.  

I was given choices no kid should have ever had to make. I was given memories that will never find their way into an essay. I was given the role of a sacrificial lamb who is now being asked to reply to two of my classmates’ discussion board posts. I was given a pretty little brain.   

And he is kind, lord. And he is empathetic, and patient. He is merciful. He is gentle, and he tries because he knows it is important. And he was given a pretty little brain.  ƒ

He was given a pretty little brain with no cure.  

Thursday, October 9, 2025

Things That Fade by Aditi Ghosh


    Aditi Ghosh: Things That Fade



1. Daisies on a gold chain. Provenance: exact details forgotten, but most likely Francesca’s, La Encantada, 2905 E Skyline Dr #143, as one of a two or three part sale deal. In my first year of college, I wore it nearly every day, small daisies strung around my neck, a sort-of matching set of daisies on my ears. The chain, once gold, has since darkened into a warm copper, worn down by the oxidation, the time, the love. 



2. Adjustable rings, one embedded with a (likely fake) pink stone. A gift from my mother. Provenance prior to gifting: Unknown. I stopped wearing these not because of the tarnishing, but because they hurt. The corners on the adjustable ends are sharp. With fingers clasped around a pencil, or around themselves into fists, the metal bites, digging traces into the soft skin at the corners of my palm. There are no cuts; still, under running water, the edges of my fingers sting, slightly blue, with all the annoyance of the smallest paper cut, invisible until noticed, then unable to be ignored. 




3. Stylized silver rings. Provenance: two different sales at pop-up tents on the University mall. After a few uses, the salt in the sweat between the rings and my fingers started to eat away at the metal, staining it. Now, they’re shaded all around, not quite tarnished, not to the point of ruin. Mixed-metal, perhaps, liminal. Not quite silver, not quite gold. 




4. Sterling silver and turquoise linked bracelet. Provenance: Arequipa, Peru. This one is, admittedly, completely my fault. Over the summer, I left it in a bag with a tarnished necklace, and by the time I opened it back up again, the pristine silver had turned dull and grey-ish, brown-ish, black-ish, a clouded film at the edges, blurring into the bright turquoise. Ruined not by time or love, but by neglect, quieter, final, a kind of damage all its own.


 


5. The only remaining ring in the first set of jewelry I ever bought for myself. Provenance: Claire’s, Outlets North Phoenix, 4250 W Anthem Way. Senior year of high school, a quick stop off the highway on the way to the senior band trip to Disneyland. Bought while waiting for one of our drum majors to get his ears pierced for fun. On impulse, I grabbed the pack off the shelf, gold-ish, coughed up 15 dollars for them, and walked back out into the cold, December evening air.

I lost one ring the next morning in San Diego, stolen by the surf, salt-tongues sliding the thing off of my index finger and swallowing it down into the belly of the ocean. The rest tarnished in barely a month. They were probably gold-tone: made of a base metal, only plated to look like gold. Underneath, after my skin and sweat had eaten away the plating, they were copper-ish, rough, and left an embarrassing ring of blue at the base of each of my fingers. 

This one used to be the simplest of the set: gold all around, a single, uninterrupted band. Now, it is eaten away, chipped, its core rough and exposed. 

Two unspoken, broken promises: I never wore the rings again. He never got his ears pierced.